His/her approach to relationships resembled, to a large extent, a primate who's first happened upon a remote control.
The approach is cautious. The first tentative stab at a button push results in surprise, and a hasty retreat. Curiosity soon overcomes the cautiousness and initial alarm, and he treads forward with resolve. At first he's selective with the buttons that he picks, pressing one, waiting for a response, then pushing another. The reaction is often immediate, but no longer alarming. Until he hits the one for the radio, the television's blaring, the kettle on the stove is about to burn a hole in the ceiling and burst your eardrums what with the sound of escaping steam.
He's out of control. Nothing will turn off right, buttons that used to mute the tv now ups the furnace to 100 degrees. In frustration, he mashes the buttons, bangs the remote against the floor, and then hurls it against the wall.
Explosion.
sound reflecions: observations from SF MOMA's Soundtracks exhibit
karthik and i went to the SF MOMA today to check out the last few bits of the soundtracks exhibit. we saw this great video work that i can&...
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Continuing from last year, here's the stats and short synopses of books that I read (or didn't read) this year. According the Good... -
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Edgar Degas was obsessed with the female form. This much was obvious just from the few works that they had from him at MASP. I would go fu... -
this has been copied without permission from the appendix of the 2011 edition of The Question of Separatism. It was conducted with Jane in ...
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